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It was still listed as ‘coming soon.’ at the time of writing, but obviously will mean you can test Cubase 12 on your own hardware/OS without risk prior to making a purchase decision. One further benefit of the new, dongle‑free licensing arrangements is that a trial version of Cubase is now possible. Both Mac and Windows installs require 70GB of free storage space, and a minimum 8GB of RAM is suggested.

UPGRADE CUBASE ELEMENTS TO PRO WINDOWS 10

For Windows‑based users, 64‑bit versions of either Windows 10 or Windows 11 are supported.

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However, early user reports suggested plenty of folks running quite happily on older Mac OS iterations such as Catalina.

It’s also worth noting that, amongst the brief ‘requirements’ list for Cubase 12, Steinberg’s website lists Mac OS Big Sur or Monterey. That said, for those with a M1‑powered Mac, Rosetta is likely to remain a fact of life (albeit a fairly innocuous one) for a while yet as music software developers gradually embrace the chip format.

The Audio Performance meter has been improved - but Cubase 12 doesn’t seem to place any noticeable additional burden on your host system.For example, Apple‑based users will welcome the news that Cubase 12 has native support for Apple Silicon. Silicon Tallyĭongle‑free licensing aside, what’s new in Cubase Pro 12? Sensibly, Steinberg have adopted an evolutionary approach rather than a revolutionary one (existing workflows therefore remain intact) but, as befits a whole number upgrade, there is plenty of ‘new and improved’ to discuss. Users of WaveLab or SpectraLayers, for example, will therefore have to wait a little longer to be completely eLicenser‑free, but it is coming.

UPGRADE CUBASE ELEMENTS TO PRO UPDATE

For understandable pragmatic reasons, Steinberg are planning to transition their other major software titles to the new licensing system as each goes through its own update cycle.

UPGRADE CUBASE ELEMENTS TO PRO INSTALL

This worked very smoothly for me when installing Cubase Pro 12 (although some users did report issues immediately after the launch, presumably caused by Steinberg’s servers being inundated with update requests) and I was able to install and activate on both my main studio machine (under Mac OS) and on a Windows‑based laptop I occasionally use for mobile work, without any problems. With v12, activation is linked to your host computer and you can activate on up to three different machines under a single license. Of course, all developers have to protect their software from piracy, but Steinberg obviously feel that that can now be done effectively without the eLicenser key. If you primarily work in a fixed studio space (as I do), it’s perhaps not so much of an issue but, for those who are more mobile, looking after a dongle (or three) when you move between locations can be problematic. USB dongles are something that engender very mixed feelings. I’ll get to Cubase Pro 12’s list of additions in a minute but perhaps the item that caused the most chatter online prior to launch was actually something Steinberg was taking away licensing via a dongle. So what have Steinberg added to v12 to improve upon their already‑impressive flagship product and to tempt existing users, and potentially new ones, to invest? Licence To Roam Of course, in its Pro form, Cubase has been a sophisticated, feature‑rich music production platform for many years. Cubase gains new features and dispenses with the dongle.Ĭubase’s substantial and diverse user base might have had to wait a few months beyond Steinberg’s regular end‑of‑year update cycle, but version 12 is now with us.

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